All Our Children, the first play by the experienced theater and opera director Stephen Unwin, is structured as a moral debate that sheds light on the mass murder of disabled children in Nazi Germany. The play is well-staged and intermittently powerful, but overly schematic, as the characters too often feel like mouthpieces rather than fully realized individuals. It premiered on the West End in London in 2017, and now comes to the Black Box Theater at the Sheen Center, with a new cast, under the sure-handed direction of Ethan McSweeny.
It’s some feast that Terrence McNally has cooked up for Douglas Hodge, fulminating and relishing every minute as the tortured, torturing ballet impresario Sergei Diaghilev in Fire and Air, a premiere at Classic Stage Company. McNally has always been fond of larger-than-life personalities gesticulating wildly and playing to the wings—think Master Class, The Lisbon Traviata, It’s Only a Play. He has often toiled in the opera realm, addicted to its outsize theatricality and the strong feelings its fans and its creators harbor. With Fire and Air he switches to ballet, specifically the Ballets Russes on the eve of revolution—an art where those qualities also abound. The author is 79, he has written plays for more than half a century, and Fire and Air is vintage McNally.