Ed Malone

The Shadow of a Gunman

The Shadow of a Gunman

On Aug. 14, 1924, after a third night of sold-out houses at the Abbey Theater in Dublin, inveterate Irish playgoer Joseph Holloway noted in his diary: “The Shadow of a Gunman [has] been staged for three nights with the usual result—that crowds had to be turned away each performance. . . . Certainly [Sean O’Casey] has written the two most popular plays ever seen at the Abbey, and they both are backgrounded by the terrible times we have just passed through, but his characters are so true to life and humorous that all swallow the bitter pill of fact that underlies both pieces.”

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The Winter’s Tale

The Winter’s Tale

It’s a truism that William Shakespeare’s tragicomedy The Winter’s Tale divides into two distinct parts. In the first, Leontes, king of Sicilia, suspects his queen, Hermione, of adultery with his friend Polixenes, king of Bohemia, who has been spending a long sojourn with them but who is leaving for his home country immediately. The biggest hurdle for actors playing Leontes is to make his sudden jealousy credible. “The part is one of the hardest ever written,” Margaret Webster noted in Shakespeare Without Tears: “with almost no preparation, the emotion of it is at flood height.”

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