On Aug. 14, 1924, after a third night of sold-out houses at the Abbey Theater in Dublin, inveterate Irish playgoer Joseph Holloway noted in his diary: “The Shadow of a Gunman [has] been staged for three nights with the usual result—that crowds had to be turned away each performance. . . . Certainly [Sean O’Casey] has written the two most popular plays ever seen at the Abbey, and they both are backgrounded by the terrible times we have just passed through, but his characters are so true to life and humorous that all swallow the bitter pill of fact that underlies both pieces.”
The three principal characters of Jaki McCarrick’s drama The Naturalists are refugees from a society that, in their view, damages the earth and is toxic to the human heart. The time is 2010; the place, the Republic of Ireland’s Border Region. Brothers Francis and Billy Sloane (John Keating and Tim Ruddy) have settled into middle age as small-time farmers, accustomed to being alone with each other and the glorious landscape around them.