Taylor Reynolds

, ,

This Land Was Made

, ,
This Land Was Made

Tori Sampson’s This Land Was Made is a steamy gumbo of history, humor, and imagination. Directed by Taylor Reynolds, it serves up a fictive account of the origins of the Black Panther Party for Self-Defense, founded by Huey P. Newton and Bobby Seale in Oakland, Calif., in 1966. Although the play has some structural flaws, it invites one to ponder the issues that animated this revolutionary social organization—racist police brutality and economic injustice—and to consider how they still resonate today.

Click for print friendly PDF version of this blog post
,

Songs About Trains

,
Songs About Trains

If you’re sentimental about past-their-prime forms of transit, and if you can look past the infelicity that is Amtrak, it’s easy to fall in love with trains. They occupy so many iconic moments in American literature and film, and there are so many songs about them. It’s enough to send you into Songs About Trains, a new musical revue, waxing nostalgic. Then note the subtitle: A Celebration of Labor Through Folk Music. If you’re fond of Woody Guthrie and his ilk and tales of Casey Jones and John Henry, well, the show’s already halfway down the track. But Songs About Trains turns out to be even richer than that. It’s not just songs about trains: It can be seen as the whole damn history of American expansion.

Click for print friendly PDF version of this blog post

Tambo & Bones

Tambo & Bones

When the lights came up at the end of Dave Harris’s disorienting Tambo & Bones, my companion asked me, “Am I real?” The satirical play teasingly calls attention to the artifice of theater and performance while emphasizing “fake-ass” set pieces, “fake-ass” backstories, and “fake-ass” racial identities. Even the composition of the audience at Playwrights Horizons seems to be fabricated. I wasn’t so sure I could give my friend an answer.

Click for print friendly PDF version of this blog post