In Kate Hamill’s adaption of Bram Stoker’s Dracula at Classic Stage Company, fighting against vampires becomes synonymous with fighting the patriarchy. With Sarna Lapine directing (she also directed Hamill’s Little Women) and a stellar cast, Hamill’s Dracula manages to be hilarious without descending into farce, perhaps because so much of the humor is in the service of a feminist reshaping of Stoker’s novel, which turns the struggle against vampires into a struggle for self-individuation and self-determination.