Doug Hughes

Socrates

Socrates

Socrates begins at the end, with the famed philosopher already dead, and Plato, his most famous student, trying to understand why. Giving away the ending is always risky, but in playwright Tim Blake Nelson’s hands, the story becomes a type of metaphysical puzzle. The question isn’t who did it—Plato tells us up front it was the city of Athens—but how a supposedly great civilization could so easily eradicate a great mind, especially one who went to great lengths to disavow his greatness.

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