Jeremy O. Harris makes an impressive splash with Slave Play, a fascinating, often hilarious, sometimes bumpy look at sex and power in modern interracial relationships. The New York Theatre Workshop production is also a prelude to Daddy, a second play of Harris’s that will be seen in the spring at the Vineyard Theatre.
Elevator Repair Service (ERS), the adventurous downtown troupe known for theatrical adaptations of iconic modernist works, is parodying Edward Albee and Tennessee Williams in a new play by Kate Scelsa that has the cleverest title in town—Everyone’s Fine with Virginia Woolf. The production is directed at breakneck speed by the company’s founder, John Collins. It features visuals by Louisa Thompson (scenery), Amanda Villalobos (properties), and Kaye Voyce (costumes) that give the proceedings the kitsch-cluttered aesthetic that’s an ERS signature.