The twisted identities and raucous antics of William Shakespeare’s Twelfth Night have delighted audiences for centuries—and a new production is showing why. Directed by Lynnea Benson, Frog and Peach Theatre Company’s Twelfth Night offers an enjoyably accessible take on the Bard’s famed tale.
Decades after his death, Robert Moses’s legacy is still felt throughout New York City, from the Triborough Bridge to Lincoln Center. As the urban planner responsible for much of the city’s 20th-century roadways and infrastructure projects, Moses had a polarizing career, making lasting improvements to the city and the surrounding area even as he was criticized for imposing his plans, no matter the consequences. New Yorkers traveling through Moses’s former domain to the Theatre at St. Clements, however, will find little unique insight into the man behind the infrastructure at Bulldozer: The Ballad of Robert Moses, a bio-musical of the master builder who outlasted mayors and governors to impose his will on New York City and the surrounding area from the 1920s through the 1960s.
Shakespeare is getting a Wild West twist this fall with Desperate Measures at the York Theatre Company. The new musical transports Measure for Measure to the American frontier in a high-energy adaptation by Peter Kellogg and David Friedman that charms and entertains.
The Mint Theater is continuing its commitment to neglected works this summer with The Suitcase Under the Bed, a collection of four one-act plays written by little-known Irish playwright Teresa Deevy. The female playwright, whose work was produced by Ireland’s Abbey Theatre in the 1930s, has been a continued focus for the Mint since the theater company began its Teresa Deevy Project in 2009.