Shakespeare is getting a Wild West twist this fall with Desperate Measures at the York Theatre Company. The new musical transports Measure for Measure to the American frontier in a high-energy adaptation by Peter Kellogg and David Friedman that charms and entertains.
This is the guy who wrote Anna Karenina? Librettist-lyricist Peter Kellogg, perhaps less than happy with the memories of that short-lived 1992 Broadway musical, has turned about as far away from tragic romance as it is possible to turn for his new project. Picture this: a small, whimsical Off-Broadway musical—a book show, but with a loose narrative allowing for plenty of sketchlike comedy, and with a structure borrowed freely from Arthur Schnitzler’s La Ronde. A little social comment, but broad characters and an overriding silliness that induces, if not a lot of guffaws, a fair number of smiles. Music by David Friedman, best known for the great cabaret song “My Simple Christmas Wish” and several syrupy ballads that were gracefully sung by the late Nancy Lamott. Hence, Money Talks.