There may be no better, or more controversial, example of humankind’s uneasy attempts to shape nature than the cow. When celeb geek Neil deGrasse Tyson recently tweeted that cows are “biological machine(s) invented by humans to turn grass into steak,” avowed vegan Moby took to Instagram to call him an “ignorant sociopath” for making light of the “unspeakable suffering” humans wreak on billions of animals a year. Irish company Fishamble’s genial Charolais at 59E59 mines this same tension for dark humor and pathos, but with a much more intimate beef, between an Irish woman and a French heifer over the man who loves them both.
Zero Hour
Zero’s back in town, and the town is jollier for it. That’s Zero as in Mostel, in the ursine form of Jim Brochu, who has brought his one-man biographical show, Zero Hour, back to the Theatre at St. Clement’s. It won him a Drama Desk Award back in 2010, and in this new incarnation, if anything, the author and star is more formidable, more unpredictable, more voluble—more Zero.
A Gambler’s Guide to Dying
There’s a famous joke about a man who prays for years to win the lottery. He tries to live a righteous life and promises to use the money for good, but his prayers grow increasingly bitter. One day, as he’s leaving church, having given God an earful, the clouds part and a voice booms, “Hey, moron, you have to buy a ticket!” A Gambler’s Guide to Dying, which launches 59E59’s 13th annual Brits Off Broadway festival this week, is about a man for whom buying the ticket is more than good advice; it’s his life philosophy.




