Robert Patrick, one of the pioneers of the Off-Off-Broadway movement in the 1960s, was a prominent member of the legendary Caffe Cino, which cultivated the talents of playwrights such as Lanford Wilson, William M. Hoffman, Doric Wilson, and many others. Patrick’s The Haunted Host (1964), Indecent Exposure (1966) and The Warhol Machine (1967) all premiered at the Greenwich Village venue, and his play Kennedy’s Children (1975) was a critical hit on Broadway. The Phoenix Theatre Ensemble deserves credit, then, for reviving Patrick’s Judas (written in 1973), under the direction of Craig Smith. Alas, this exceedingly earnest but unremarkable production is not likely to cause a Robert Patrick renaissance.