Harry Houdini is arguably the most famous magician of all time, but the circumstances around his death remain suspiciously murky. Did he truly die suddenly of appendicitis, or were there more malevolent forces afoot? Cynthia von Buhler’s The Girl Who Handcuffed Houdini combines murder mystery, film noir, and comic book genres to create a genuinely fun immersive theater experience wherein audiences can explore the mysteries surrounding Houdini’s death.
Boris Akunin’s Hamlet. A Version reimagines Shakespeare’s classic tale of political intrigue as a multi-layered murder mystery. Akunin, a Russian writer best known for his Sherlock Holmes–like character Fandorin, which has a cult following, does not write just for thrills. His Hamlet is a tragedy but also a whodunit.
The Fourth Street Theater is currently unrecognizable, as the theater company known as Semiotic Root has transformed the space into an intimate storytelling café—the sort found in North Africa. A patchwork of Persian carpets covers every inch of the floor, and hanging lanterns cast a warm glow across the carved wooden tables and plush floor cushions. The scent of strong coffee wafts through the air, and audience members are invited to help themselves to a cup. The setting is for playwright Betty Shamieh’s The Strangest, an absurdist murder mystery inspired by the unnamed Arab killed in Albert Camus’ classic novel, The Stranger, which is an emblem of mid-20th-century French existentialism.