For nearly 70 years, the songs of Burt Bacharach, one of the most renowned and versatile figures in contemporary music, crossed genres, continents, and cultures. He collaborated with and accompanied the music industry’s finest singers, lyricists, and fellow musicians. Going Bacharach, directed by David Zippel, is a revue of Bacharach’s musical genesis and his many cross-genre innovations.
In Edward, written, performed, and directed by Ed Schmidt, a small box of 27 mundane artifacts becomes a form of domestic archaeology, each item revealing a fragment of a life once lived. Gathered around a table in independent bookstores across New York City, audiences help reconstruct—night by night—a portrait of the late Edward O’Connell, a former high school English teacher whose faith in literature echoes through the stories and the spaces where they are told.
Michael Walek’s The Bookstore is a cozy, unprepossessing play about the power of literature to change one’s life and the importance of both writing and reading. It is also about the people who do one or the other, and those who try to do both, and it’s peppered with nuggets about writers, readers, and the spectrum of human experience.
The Disappear feels like an incomplete puzzle: Its pieces don’t fit together. This new play, written and directed by Erica Schmidt, is overloaded with undercooked melodramatics and ideas.
A work that has been collaboratively devised by members of the Happenstance Theater troupe, Juxtapose | A Theatrical Shadow Box cites as its influences the artworks of Joseph Cornell and the French films Amélie (2001) and Mon Oncle (1958). The play, directed by Mark Jaster and Sabrina Selma Mandell, explores randomness and dissimilarity and focuses on the lives of tenants in a French apartment house through a series of scenes that can be identified from their artistic influences or simply enjoyed as charming vignettes arranged in visually striking tableaux. Either way, the result is a multilayered and curious work that is both thought-provoking and delightful.
Gotta Dance, conceived by Nikki Feirt, is a choreographic musical revue of dances from Broadway shows—all performed by an expert cast of performers who sing and dance. The production, codirected by Feirt and Randy Skinner, flows well, and each number benefits from being staged by someone who had intimate knowledge of the original.
Following their previous collaboration on the 2010 musical The Scottsboro Boys, director-choreographer Susan Stroman and composer John Kander have returned to the Vineyard Theatre for The Beast in the Jungle, a haunting memory play warning that the biggest danger in life is the road not taken.
