Leegrid Stevens’s A Peregrine Falls, now at the Wild Project under the direction of Padraic Lillis, tells the story of a Mormon family in Austin, Texas, in 2010 and 2012, as they grapple with the aftermath of horrific family abuse. The play combines realism, in scenes taking place in hospital and state-court waiting areas and a family-owned car dealership (scenic design by Zoë Hurwitz), with flights of dream imagery and symbolism, the latter mostly conveyed by a narrator who is both within and without the story (the peregrine of the title stands for the ultimate predator, a bird who preys on other birds).