In 1930, the theater artist Neith Boyce was commissioned to adapt H. G. Wells’s 1901 fantasy novel The Sea Lady for the stage. After five years of work, and with a Broadway production planned, Wells’s agent rescinded the rights to the novel, and the play was never seen. For decades the manuscript resided at Yale’s Beinecke Library, until Boyce’s biographer sent it to the Metropolitan Playhouse, which is currently staging the play’s world premiere under the direction (and design) of the company’s artistic director, Alex Roe.