James Macdonald

Glass. Kill. What If If Only. Imp.

Glass. Kill. What If If Only. Imp.

English dramatist Caryl Churchill is turning 87 this September. In advance of that landmark, the Public Theater is presenting Glass. Kill. What If If Only. Imp., a quadruple bill of Churchill one-acts new to New York. Like Albee on this side of the Atlantic, Churchill has always had a penchant for depicting humanity in rather abstract terms. Directed by Churchill specialist James Macdonald, these shorts are supplemented with entr’acte circus feats by a juggler (Maddox Morfit-Tighe) and an acrobat (Junru Wang). The evening’s fare may seem, at first blush, a random assortment but, upon reflection, common themes emerge.

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Infinite Life

Infinite Life

Annie Baker makes her much-anticipated return to Off-Broadway with the world premiere of Infinite Life, a coproduction with Britain’s National Theatre. The play, once titled On the Uses of Pain for Life, was slated for Fall 2021 at Signature Theatre, but it never materialized; Baker’s most recent play, The Antipodes, was produced at Signature in 2017. It takes only a few moments of Infinite Life’s halting and delightfully awkward opening exchange for Baker to captivate with her uncanny blend of the naturalistic and the absurd, honing in on human frailty with a merciless yet empathetic eye, this time trained on patients at an alternative pain clinic in Northern California.

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