Gloria: A Life, by Tony-nominated Emily Mann, captures Gloria Steinem’s ascent from a young journalist relegated to “women’s interest” stories to an icon of the feminist movement. Active in promoting women’s rights from the 1970s on, she is famous for saying, “The truth will set you free, but first it will piss you off.” The play is performed in two acts: the first act is the story of Steinem’s life, and the second is a “talking circle,” in which the audience is invited to carry on a conversation about the themes of the play.
The Manhattan Theatre Club stage at City Center is giving off major Disney World Jungle Cruise vibes these days. Birds call over the syncopated groove of Nigerian percussionist Solomon Ilori’s 1963 deep cut “Tolani (African Love Song)” as patrons enter the theater. There’s a Tara Buddha statue downstage right, some Persian rugs, a scarlet chaise lounge and some cushions on the floor, and the proto-Afrobeat music morphs into the Middle Eastern goblet drums and chirpy marimba that have been cornerstones of “world music” for decades. It’s almost disappointing when no chipper, punning Adventureland employee pulls up to take you downriver.