In Stephen Sheffer’s new play Lean-To, strangers camp out in the titular structure during a hike. While the setting is rendered beautifully, the drama flops due to a script full of extended silences, platitudinous conversation, and ill-conceived character behavior.
In The Body of Mary: A Play in Three Acts (of God), Katie Cappiello reimagines the Virgin Mary’s origin story to examine the struggle over women’s bodies, reproduction, and who controls the narrative. Written and directed by Cappiello, this comedy brings together three women named Mary whose lives, separated by centuries, illuminate the forces of patriarchal control, violence, and repression.
Marfa, Texas, the shooting locale for the George Stevens epic film Giant 70 years ago, is known as a dot of cultural sophistication, big on minimalist art, amid hundreds of miles of Texas brush and desert. It’s also renowned for the Marfa Lights, a nocturnal phenomenon of distant brightness that can appear orange, yellow, blue, red. It’s not known as a hangout for anxious thirtysomethings yapping about politics, gender, and muddled friendships, but that’s the upshot of Very Blue Light, Daphne Silbiger’s new drama at The Tank. That it plays as well as it does is a tribute to Silbiger’s clever invocation of familiar themes, and a beguiling cast of four up-and-coming actors.
Molière’s Don Juan takes audiences on a feverish journey from seduction to reckoning, blending farce, tragedy, and the supernatural in a provocative examination of hypocrisy, morality, and the consequences of unchecked desire. In the free outdoor production by Molière in the Park (MIP), this darkly comic masterpiece proves as entertaining as it is unsettling, holding up a mirror to human folly while leaving audiences to determine where they stand.
Crikey! Garry Starr: Classic Penguins makes one wonder what the Aussies are consuming besides cold ones. A quarter century after Puppetry of the Penis, the lunatic 2001 production from Down Under that introduced “genital origami,” comes this brash, loopy clown show, written and performed by Garry Starr (the stage persona of Damien Warren-Smith).
In The Body of Mary: A Play in Three Acts (of God), Katie Cappiello reimagines the Virgin Mary’s origin story to examine the struggle over women’s bodies, reproduction, and who controls the narrative. Written and directed by Cappiello, this comedy brings together three women named Mary whose lives, separated by centuries, illuminate the forces of patriarchal control, violence, and repression.
What happens when the adults of a town ignore the wisdom of their children? That’s the haunting question underlying Amina Henry’s new adaptation of The Pied Piper of Hamelin. Directed by Michole Biancosino, Henry’s play retools the myth, emphasizing the natural virtues possessed by children. Replete with song, dance, and a 10-member ensemble who double as rats, this take on the legend reveals surprising depths.
