Paolo Montalban

Bella

Bella

At the center of Kirsten Childs’ new musical, Bella: An American Tall Tale, is the title character, “a big-booty Tupelo gal.” Although the “tall tale” labeling promises lightheartedness, there isn’t any blue ox or apple-seed scattering to be found. Childs’ formula for a tall tale includes some dark material, and the tone of Bella veers from cheerfully tongue-in-cheek to just plain vulgar, from wildly inventive to hackneyed.

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