The challenging economics of New York theater makes two-actor plays a holy grail for Off-Broadway producers. Among the numerous two-handers of the past three or four theater seasons, none has had a more arresting first act than Joanna Murray-Smith’s Switzerland. Set in an Alpine aerie, with Cold War elegance courtesy of scenic designer James J. Fenton, Switzerland depicts a showdown between Patricia Highsmith (Patricia J. Scott), author of Strangers on a Train and The Talented Mr. Ripley, and a man she has just met named Edward Ridgeway (Daniel Petzold). Ridgeway is supposedly a representative of a New York publishing house, sent to Switzerland to convince the 73-year-old novelist to sign a book contract.
In 1922, Alan Alexander (A. A.) Milne’s The Lucky One was originally produced in New York. Milne is best known for his children stories about a good-natured teddy bear, Winnie-the-Pooh, and his friendship with a boy, Christopher Robin (named after Milne's son). Before the extraordinary success of Winnie-the-Pooh, Milne had published three novels and 18 plays. Two of them, Mr. Pim Passes By and The Truth About Blayds, the Mint Theater Company has previously resurrected.