The impending 75th anniversary of the declaration of Israel as an independent state has prompted many controversial discussions. Among them are retrospective conversations about the country’s early days and questions as to whether those who struggled to create a cohesive post-Holocaust multicultural society also permitted systematic mistreatment of some citizens. How, for example, is it possible to justify the abduction of Yemenite children and the resultant grief and trauma for their families? Daughter of the Wicked, Shanit Keter Schwartz’s solo autobiographical play, deals in large part with her Yemenite identity, her immigrant parents, and her search for her missing sister.