If you didn’t know that A Lovely Sunday for Creve Coeur was by Tennessee Williams, you might easily guess it. When the critic John Mason Brown reviewed A Streetcar Named Desire in 1947, he noted that play’s similarities to The Glass Menagerie: “Mr. Williams’ recurrent concern is with the misfits and the broken; with poor, self-deluded mortals… If they lie to others, their major lie is to themselves. In this way only can they hope to make their intolerable lives tolerable. Such beauty as they know exists in their dreams. The surroundings in which they find themselves are once again as sordid as is their own living.” Brown might have written the same words about Creve Coeur, first produced in 1979.