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Something Happened on the Way Home to Ithaca
by Amy Freeman
Homer's Odyssey reviewed September 5, 2009
Joel Richards, Javen Tanner, David D'Agostini, Nicholas Alexiy Moran
Photo Credit:Jonathan Slaff
Can the Odyssey, that 12,000 line epic poem, be successfully translated onto stage without being over long and overly arduous? Judging from Handcart Ensemble's production of Simon Armitage's adaptation, the answer is yes. Homer's Odyssey trims and alters certain bits of the story. What unfolds onstage is then an old, familiar story that nonetheless remains fresh, exciting, and thoroughly engaging.

After winning the Trojan War, Odysseus and his men set off to return home to Ithaca. However, they soon find themselves lost at sea and float from strange land to strange land. They run into trouble on the Island of the Cyclops, where they are trapped in the cave of Polyphemus the Cyclops and are at risk of becoming his dinner. Odysseus tricks Polyphemus by getting him drunk, telling him that his name is “Nobody” and then blinding him so that Odysseus and his men can escape. Unfortunately for Odysseus, Polyphemus is Poseidon's son, and Odysseus and his men need to sail on the ocean in order to get home. Odysseus' men bring further strife upon themselves by later eating the sacred cattle of the sun god. Eventually, only Odysseus is left, and he winds up staying on an island with the goddess Calypso, who has fallen in love with him.

Jane Pejtersen, David D'Agostin
Photo Credit:Jonathan Slaff
Meanwhile, on Ithaca, his wife, Penelope, and now grown son, Telemachus, must deal with the presence of greedy boorish suitors. Since Odysseus has not been formally buried, Penelope cannot agree to marry one of them. Because of guest/host rules in Ancient Greece, she cannot turn them out either. The suitors grow restless and plot to kill Telemachus, who has, on the advice of Athena-in-disguise, sailed to Sparta.

Armitage's adaptation uses beautiful, evocative language. The eye-gouging of Polyphemus occurs mostly off-stage, yet Odysseus' description of his plan is graphic enough to make one feel a little queasy. It is aurally gory and does not need the addition of spurting blood so common in shows today to get its point across.

Joel Rainwater, Nicholas Alexiy Moran, Ryan Wood, Bull puppet by Marta Mozelle MacRostie
Photo Credit:Jonathan Slaff
However, the production is visually thrilling in other ways. Puppets are used quite effectively. Polyphemus is first shown as a giant shadow puppet. When he finally stomps onstage, he is a terrible sight to behold: a puppet on stilts with a large papier-mâché head. Additionally, the ensemble has a great sense of physicality. They bob and weave in fight scenes, embody the waves while out at sea, and tumble over each other.

The acting is, for the most part, spot on. David D'Agonstini brings just the right level of command and strength to the character of Odysseus while Rachael McOwen is bright-eyed as Nausicaä. However, there is doubling and tripling of roles in the show, and some actors felt stiff and flat in some of their roles, as if they were unaccustomed to their characters still.

Homer's Odyssey, with a runtime of over two and a half hours, is not a brief show. However, every minute of it is a joy to watch. The language is fresh and engaging, and the theatrics make the show a treat for the eyes. Homer's Odyssey breathes fresh life into an old tale.

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HOMER'S ODYSSEY

The Green Room
Category:  Drama
Written by:  Simon Armitage
Directed by:  J. Scott Reynolds
Produced by:  Handcart Ensemble
Opened:  September 3, 2009
Closed:  September 19, 2009
Running Time:  2 hours, 40 minutes

Theater:  The Green Room
Address:  45 Bleecker Street
New York, NY 10012
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Click for  Theater Listing
BOX OFFICE
Tickets:  $15.00
none
CREDITS
Creative Team
Written by:  Simon Armitage
Directed by:  J. Scott Reynolds
Produced by:  Handcart Ensemble
Fight Director:  J. Allen Suddeth
Light Designer:  David Kniep
Original Music:  Nathan Bowen
Set Designer:  Tijana Bjelajac
Costume Designer:  Candida Nichols
Vocal/Speech Coach and Musical Director:  Matthew Herrick
Puppetry/Shadows:  Marta Mozelle MacRostie

Cast
Odysseus:  David D'Agostini
Eurybates, Eurycleia:  Jeffrey Golde
Nausicaa, Phemios, Siren:  Rachael McOwen
Zeus, Alcinous, Eumaeus, Tiresias:  John Michalski
Eurymachus, Cyclops, Agamemnon, Sailor:  Nicholas Alexiy Moran
Athena, Circe, Siren:  Jane Pejtersen
Telemachus, Elpenos:  Joel Rainwater
Amphinomous, Polites:  Joel Richards
Penelope, Calypso, Arete, Anticleia:  Elizabeth Ruelas
Antinous, Eurylochus:  Javen Tanner
Hermes, Antiphus, Achilles:  Ryan Wood

Crew
Stage Manager:  Sarah Biesinger